{"title":"Member Discount Products","description":"","products":[{"product_id":"counting-caribou","title":"Counting Caribou","description":"\u003cp\u003e2017 Cape Dorset, Annual Print Collection\u003c\/p\u003e\n\u003cp\u003eEtching \u0026amp; Aquatint\u003cbr\u003ePaper: Arches White\u003cbr\u003ePrinter: Studio PM\u003cbr\u003e79.7 x 86.5 c\u003cbr\u003e2017\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cem\u003eKakulu was born in 1940 on board the Hudson’s Bay Company supply ship, Nascopie. Her family had travelled from south Baffin Island to hunt and trap in the northern regions of the island. Kakulu was a child when she moved back to the Cape Dorset area.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eKakulu began to draw in the early 1960’s when the West Baffin Co-operative established its printmaking studios. 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She has a comprehensive knowledge of Inuit legends and a fine sense of design and composition. These elements that have made many of her prints highly sought after by collectors. 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And determined to win. I know everything about Anne – I’d even say we’re kindred spirits. And do you know what the best part is? The prize! A brand new set of Anne books.\u003c\/p\u003e\n\u003cp\u003eThe problem? I’m half Mohawk. Actually I’m very proud of that, but in this case it doesn’t help me in the look-alike department. You know who does look like Anne, with her red hair and freckles? My new friend, Lydia Parker. This makes her my biggest competition, but she can’t help it. \u003c\/p\u003e\n\u003cp\u003eSo who will win the contest? You’ll have to read on to find out.\u003c\/p\u003e\n\u003cp\u003eAges 8-12\u003cbr\u003e124 Pages\u003cbr\u003e2009\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eCaroline Stellings is an award-winning author and illustrator. Her book The Contest, part of the Gutsy Girl series, won the 2009 ForeWord Book of the Year Award and was a finalist for the 2010\/11 Hackmatack prize. 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For 30 years Second Story Press has published books that matter, many of which have been translated into over 50 languages and have been sold around the world. Their list spans adult fiction and nonfiction; children’s fiction, nonfiction and picture books; and young adult fiction and nonfiction. Second Story Press continues to look for stories that feature strong female characters and explore themes of social justice, human rights, equality, and ability issues.\u003c\/em\u003e\u003c\/p\u003e","brand":"Caroline Stellings","offers":[{"title":"Default Title","offer_id":5736896069660,"sku":"SECSTO-C0004","price":8.95,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2351\/6881\/products\/TheContest_book.jpg?v=1571609697"},{"product_id":"moonwake-cup","title":"Moonwake Cups","description":"\u003cp\u003eHand blown glasses in many vibrant colours! 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By wearing something one can express themselves, give social cues or affiliate themselves with something they feel strongly about.”\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe power which jewellery has to communicate and the social understandings that many forms already have makes it the perfect platform for Margaret to express the themes of identity, community and value which are ideas that recur\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ein her work.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eMargaret believes the making process, using traditional metal and gold smithing techniques, is an amazing way of learning and trying to understand our complex physical world. Her aim through her finished work is to be ideologically challenging, conceptually understood and all the while to make the world a more beautiful place. \u003c\/em\u003e\u003c\/p\u003e","brand":"Margaret Lim","offers":[{"title":"Default Title","offer_id":6645741420572,"sku":"MARLIM-C0057","price":90.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2351\/6881\/products\/axe_studs_1.jpg?v=1571609698"},{"product_id":"studio-vol-13-no-1-spring-summer-2018","title":"Digital Edition of Studio Magazine Vol. 13 No. 1","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003ch2\u003eREGULARS:\u003c\/h2\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eEditors’ Note\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eAtelier\u003cbr\u003e\u003c\/strong\u003eQuotes for thought and a highlight from craft and design around the world.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eDid You Know?\u003cbr\u003e\u003c\/strong\u003eMichael Prokopow considers Living Heritage.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003ePortfolio\u003cbr\u003e\u003c\/strong\u003eSix makers: Identity \u0026amp; Function.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eUnder the Radar\u003cbr\u003e\u003c\/strong\u003eSpotting lesser known talent in Saskatchewan.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eReview: Eye of the Needle and Black Gold Tapestry\u003c\/strong\u003e\u003cbr\u003e\u2028Andrew Rabyniuk reviews two shows in AB.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eReview: Face à Face\u003c\/strong\u003e\u003cbr\u003e\u2028Linda Savineau reviews a Canadian jewellery exhibition in Paris.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eReview: John Little: Forging a Life\u2028\u003c\/strong\u003e\u003cbr\u003eRay Cronin reviews the blacksmith’s retrospective in NS.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003einStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch2\u003eFRESH:\u003c\/h2\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eJack Sures\u2028\u003cbr\u003e2018 Bronfman Award Winner\u2028\u003c\/strong\u003e\u003cbr\u003eJulia Krueger celebrates the work of the great vesselist, recognized by the Canada Council’s highest honour.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eThe Making of an Identity\u2028\u003c\/strong\u003e\u003cbr\u003eVictoria Stephen meets great Canadian luthier George Rizsanyi and discusses sourcing the best material.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eMaking Made Visible\u003c\/strong\u003e\u2028\u003cbr\u003eMia Hunt talks about the powerful work of Inspirations Studio, bringing craft and hope to lives marginalized by poverty.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eDeveloping Ideas Through Making\u003c\/strong\u003e\u003cbr\u003e\u2028Two Canadian ceramicists, Nurielle Stern and Mary McKenzie share a life- and making changing residency experience.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eOutside the White Cube\u003c\/strong\u003e\u003cbr\u003e\u2028What is the ideology of a decolonized gallery? 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Mireille Peron explains.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Whole Story\u2028\u003c\/strong\u003e\u003cbr\u003eKoen Vanderstukken’s new book might be the last word on glass history. Kathy Kranias discusses Glass: Virtual, Real with him.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDigital Citizens Change Making\u2028\u003c\/strong\u003e\u003cbr\u003eErin Klassen responds to one of our Did You Know? articles.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Marvellous Glassmaking Life of Elmer John Hookway\u2028\u003c\/strong\u003e\u003cbr\u003eHeather Read takes us from the circus to insulin through a remarkable piece of Canadian history.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHope and Survival\u2028\u003c\/strong\u003e\u003cbr\u003eThe December 1917 Halifax explosion is being commemorated. Grace Butland introduces the quilt project.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaking Reality\u2028\u003c\/strong\u003e\u003cbr\u003eA small Toronto start-up is taking part in shaping the virtual world. 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Bruno Andrus tells us the tale.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRetiring but never shy\u2028\u003c\/strong\u003e\u003cbr\u003eThe Executive Directors of two Provincial craft councils are both retiring in 2017. 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Stacey Cornelius shows that it’s not only okay to promote, we’re already creatively doing it.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCraft in the Quebec Context\u2028\u003cbr\u003e\u003c\/strong\u003eMylène Blanchet explores the state structures that make Quebec a unique environment for craft development.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrom Custom Work to Commissioned Art\u003cbr\u003e\u003c\/strong\u003e\u2028Public art commissions do pose challenges to craft but the rewards are available. Ross Bradley considers the Alberta landscape.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHardcore Craft\u2028\u003cbr\u003e\u003c\/strong\u003eGloria Hickey introduces us to contemporary tattoo culture, revealing another look to craft.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDigital Museology\u003cbr\u003e\u003c\/strong\u003e\u2028Marie O’Mahony encounters and explores the interface between digital and analogue museum experiences.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCraft and Design\u003cbr\u003e\u003c\/strong\u003e\u2028Kathy Kranias presents the history of two important architectural stained glass makers in Canada after the Second World War.\u003c\/p\u003e","brand":"Studio Magazine","offers":[{"title":"Default Title","offer_id":12226139357295,"sku":"ONTCRA-43020","price":5.95,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2351\/6881\/products\/FW2016copy.png?v=1626885497"},{"product_id":"studio-magazine-vol-11-no-1","title":"Digital Edition of Studio Magazine Vol. 11 No. 1","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003ch2\u003eREGULARS:\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eSlice\u003c\/strong\u003e\u2028\u003cbr\u003eCongratulations and announcements\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUnder the Radar\u003cbr\u003e\u003c\/strong\u003eSpotting lesser known talent\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePortfolio\u003cbr\u003e\u003c\/strong\u003eFour makers discuss cultural and creative migration\u003c\/p\u003e\n\u003ch2\u003eFRESH:\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eA new National Craft award\u003cbr\u003e\u2028\u003c\/strong\u003eThe Director of the Canadian Crafts Federation introduces the Robert Jekyll Award.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMutations\u003cbr\u003e\u003c\/strong\u003e\u2028A new exhibition shows that ‘métiers d’art’ is not as simple a corollary to the word ‘craft’ as is sometimes presumed. Bruno Andrus discusses.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRural Creativity\u2028\u003cbr\u003e\u003c\/strong\u003eKat Frick Miller tells of Nova Scotia’s successes in migrating new creativity to the countryside.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVoice of a Kiln\u2028\u003cbr\u003e\u003c\/strong\u003eThe Noborigama kiln at the Banff Centre has a storied voice. Angela Schenstead explores its dialect.\u003c\/p\u003e","brand":"Studio Magazine","offers":[{"title":"Default Title","offer_id":12226142371951,"sku":"ONTCRA-43020","price":5.95,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2351\/6881\/products\/SS2016copy.png?v=1626885482"},{"product_id":"studio-magazine-vol-10-no-2","title":"Digital Edition of Studio Magazine Vol. 10 No. 2","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cstrong\u003eREGULARS:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSlice\u003c\/strong\u003e\u2028\u003cbr\u003eCongratulations and announcements\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUnder the Radar\u003cbr\u003e\u003c\/strong\u003eSpotting lesser known talent\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePortfolio\u003cbr\u003e\u003c\/strong\u003eEight makers at play\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDid You Know?\u003cbr\u003e\u003c\/strong\u003eMichael Prokopow discusses Fogo Island and the Shorefast Foundation\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePreview: Crossing Material Boundaries\u003cbr\u003e\u003c\/strong\u003eRobin Metcalfe previews Alexandra McCurdy RCA\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReview: Out of the Ordinary\u003cbr\u003e\u003c\/strong\u003eBruno Andrus reviews Lou Lynn at Centre Materia in Quebec City\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReview: The Language of Craft\u003cbr\u003e\u003c\/strong\u003eVirginia Stephen reviews the Alberta Craft Council show\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePostcards\u003cbr\u003e\u003c\/strong\u003eFrom North Bay, Ontario\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFRESH:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSquaring the Circle\u003cbr\u003e\u003c\/strong\u003eBettina Matzkuhn discovers what makes Circle Craft work and how making has changed in 40 years.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHere and now\u003cbr\u003e\u003c\/strong\u003e3 makers draw from the material of Saskatchewan – Terri Fidelak shares the contemporary buzz.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHammer and tongs at CanIronX\u003cbr\u003e\u003c\/strong\u003eFrom around the world, blacksmiths gathered in Cape Breton for a major celebration – Hugh Fraser was there.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEver more for MAWA\u003cbr\u003e\u003c\/strong\u003eJennifer Smith shares the power and joy of Manitoba’s Mentoring Artists for Women’s Art.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMammoth Ivory\u003cbr\u003e\u003c\/strong\u003eArchaeological beauty made into jewellery – Meg Walker introduces ancient Ivory and those working it.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNot everything valuable can be measured\u003cbr\u003e\u003c\/strong\u003eHilary Masemann shares her experience in High School after a promising craft career beginning.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWales calling home\u003cbr\u003e\u003c\/strong\u003eJohn Wright profiles Canadian metalsmith Mary Ann Simmons whose new British home has made her very welcome.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eClare Twomey\u003cbr\u003e\u003c\/strong\u003eRaphael Yu reflects on an important Gardiner show.\u003c\/p\u003e","brand":"Studio Magazine","offers":[{"title":"Default Title","offer_id":12226151088239,"sku":"ONTCRA-43020","price":5.95,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2351\/6881\/products\/FW2015copy.png?v=1626885462"},{"product_id":"studio-magazine-vol-10-no-1","title":"Digital Edition of Studio Magazine Vol. 10 No. 1","description":"\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eREGULARS:\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003eSlice\u003c\/b\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003eCongratulations and announcements\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003eUnder the Radar\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003e\u003cbr\u003e \u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003eSpotting lesser known talent\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003ePortfolio\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003e\u003cbr\u003e \u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003eFour makers discuss cultural and creative migration\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003eReview: Elemental Nexus\u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003eGloria Hickey reviews a group show in Newfoundland and Labrador.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003eReview: Books\u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003eLeopold Kowolik reviews 2 recent titles: DIY Citizenship and Ways of Making and Knowing.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003ePostcards\u003c\/b\u003e\u003cbr\u003e From Yellowknife, NT.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eFRESH:\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eCraft Year 2015 and Naked Craft\u003c\/b\u003e\u003cbr\u003e 2015 is a banner year for craft – Heather Read previews some of the events.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eSuper Hot Extra Cool\u003c\/b\u003e\u003cbr\u003e Claire Madill looks into what makes a Vancouver glass collective such a draw.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eThe Unique 1001 Pots\u003c\/b\u003e\u003cbr\u003e An annual Quebec festival takes craft into the great outdoors – Chantal Auger introduces us.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eThe Adäka Festival\u003c\/b\u003e\u003cbr\u003e An annual celebration in Yukon is celebrating its 5th year and Genesee Keevil reports.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003ePaul McClure: 2015 Bronfman Award Winner\u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003eNoel Guyomarc’h celebrates the honest humanity of this important contemporary jeweller, recognized by the Canada Council’s highest honour.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eMonumental Craft! Heather Benning, Sandra Sawatzky, Rebecca Belmore\u003c\/b\u003e\u003cbr\u003e Not humble, some projects stretch the boundaries of possible. We look at three makers who push towards epic.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003ePicasso’s Ceramics\u003c\/b\u003e\u003cbr\u003e Rachel Gotlieb visits a private Toronto collection as she discusses the surprises of collecting Picasso.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eEarth Made\u003c\/b\u003e\u003cbr\u003e Known around the world for its qualities, Ray Mackie tells us what makes Lantz clay so special.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p4\"\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003eThe Earthly Paradise Settlement Houses in Canada\u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003eCraft historian Sarah Alford makes surprising discoveries about one part Canadian social action.\u003c\/span\u003e\u003c\/p\u003e","brand":"Studio Magazine","offers":[{"title":"Default Title","offer_id":12226153480303,"sku":"ONTCRA-43020","price":5.95,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2351\/6881\/products\/SS2015copy.png?v=1626885447"},{"product_id":"studio-magazine-vol-9-no-2","title":"Digital Edition of Studio Magazine Vol. 9 No. 2","description":"\u003cp\u003e\u003cstrong\u003eComment\u003cbr\u003e\u003c\/strong\u003ePeter Fleming reflects on Studio's role in this month's Comment.\u003c\/p\u003e\n\u003cp class=\"nopad\"\u003e\u003cstrong\u003eDid You Know?\u003c\/strong\u003e\u003cbr\u003eMichael Prokopow discusses Douglas Coupland’s craft credentials in his regular feature ‘Did You Know?’\u003c\/p\u003e\n\u003cp class=\"nopad\"\u003e\u003cstrong\u003ePortfolio\u003c\/strong\u003e\u003cbr\u003e7 creative Canadians who work with, in, or near design.\u003c\/p\u003e\n\u003cp class=\"nopad\"\u003e\u003cstrong\u003eUnder the Radar\u003c\/strong\u003e\u003cbr\u003eSpotting fresh work and talent.\u003c\/p\u003e\n\u003cp class=\"nopad\"\u003e\u003cstrong\u003eReview: Knitting for History \u003c\/strong\u003e\u003cbr\u003eNicole Bauberger reviews a Yarn-bombed DC-3 in Whitehorse.\u003c\/p\u003e\n\u003cp class=\"nopad\"\u003e\u003cstrong\u003eReview: Fictions \u0026amp; Legends\u003c\/strong\u003e\u003cbr\u003eEllyn Walker reviews 2 artists juxtaposed at the Textile Museum.\u003c\/p\u003e\n\u003cp class=\"nopad\"\u003e\u003cstrong\u003ePostcards\u003c\/strong\u003e\u003cbr\u003eFrom Saskatoon, SK.\u003c\/p\u003e","brand":"Studio Magazine","offers":[{"title":"Default Title","offer_id":12226209710191,"sku":"ONTCRA-43020","price":5.95,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2351\/6881\/products\/FW2014copy.png?v=1626886254"},{"product_id":"copy-of-studio-magazine-vol-9-no-1","title":"Digital Edition of Studio Magazine Vol. 9 No. 1","description":"\u003cp\u003e\u003cstrong\u003eComment\u003cbr\u003e\u003c\/strong\u003eMichael Flaherty comments on Fall\/Winter 2013-14.\u003c\/p\u003e\n\u003cp class=\"nopad\"\u003e\u003cstrong\u003eSlice\u003c\/strong\u003e\u003cbr\u003eCongratulations and announcements: Janet Macpherson, Tanya Billings, Stoney Lamar, Emily Wojna, Ting Kwok Leung and Jie Yang \u0026amp; Paul van Bijgaart.\u003c\/p\u003e\n\u003cp class=\"nopad\"\u003e\u003cstrong\u003eCraft Council Calendar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"nopad\"\u003e\u003cstrong\u003eDid You Know?\u003c\/strong\u003e\u003cbr\u003eMichael Prokopow considers the craft world in India as organised by Paramparik Karigar in Mumbai.\u003c\/p\u003e\n\u003cp class=\"nopad\"\u003e\u003cstrong\u003ePortfolio\u003c\/strong\u003e\u003cbr\u003e7 creative Canadians who work with, in, or near design.\u003c\/p\u003e\n\u003cp class=\"nopad\"\u003e\u003cstrong\u003eUnder the Radar\u003c\/strong\u003e\u003cbr\u003eSpotting fresh work and talent.\u003c\/p\u003e\n\u003cp class=\"nopad\"\u003e\u003cstrong\u003eReview: Opposing Glass Houses\u003c\/strong\u003e\u003cbr\u003eGloria Hickey reviews two Montreal glass exhibitions.\u003c\/p\u003e\n\u003cp class=\"nopad\"\u003e\u003cstrong\u003eReview: Invested\/40\u003c\/strong\u003e\u003cbr\u003eLaura Carey reviews the 40th Anniversary show of the Craft Council of BC.\u003c\/p\u003e\n\u003cp class=\"nopad\"\u003e\u003cstrong\u003ePostcards\u003c\/strong\u003e\u003cbr\u003eFrom Halifax, NS.\u003c\/p\u003e\n\u003cp class=\"nopad\"\u003e\u003cstrong\u003eAs well as the Cover Story: Celebrating Sandra Brownlee\u003c\/strong\u003e, 2014 Saidye Bronfman award winner…and many other fresh articles.\u003c\/p\u003e","brand":"Studio Magazine","offers":[{"title":"Default Title","offer_id":12226213904495,"sku":"ONTCRA-43020","price":5.95,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2351\/6881\/products\/SS2014copy.png?v=1626886205"},{"product_id":"studio-magazine-vol-8-no-2","title":"Digital Edition of Studio Magazine Vol. 8 No. 2","description":"\u003cp\u003e\u003cstrong\u003eThe Sensuous in Technology\u003cbr\u003e\u003c\/strong\u003eWhat happens when the handmade tradition meets cutting edge technology? Jennifer McRorie investigates.\u003c\/p\u003e\n\u003cp class=\"nopad\"\u003e\u003cstrong\u003eThe little town that keeps doing\u003c\/strong\u003e\u003cbr\u003eChemainus, BC was nearly knocked out when the lumber mill closed in the 1980s. Peggy Grigor introduces the craft solutions that stopped it from happening again.\u003c\/p\u003e\n\u003cp class=\"nopad\"\u003e\u003cstrong\u003eCollaborating Class\u003c\/strong\u003e\u003cbr\u003eSheridan College’s trial SHED program was a rewarding education in collaboration for all involved. Sally McCubbin explains.\u003c\/p\u003e\n\u003cp class=\"nopad\"\u003e\u003cstrong\u003eNot getting older, getting better\u003c\/strong\u003e\u003cbr\u003eRoss Bradley asks how to define the notion of ‘senior maker’ – is it more than just endurance? Is the cutting edge where you find it?\u003c\/p\u003e\n\u003cp class=\"nopad\"\u003e\u003cstrong\u003eTransformation by Fire\u003c\/strong\u003e\u003cbr\u003eNow in its 10th year, an art therapy group coordinated by The Barbra Schlifer Clinic and Gardiner Museum presents a major exhibition on trauma and healing. Rachel Gotlieb writes about the show she curated.\u003c\/p\u003e\n\u003cp class=\"nopad\"\u003e\u003cstrong\u003eInto Porcelain Dreams\u003c\/strong\u003e\u003cbr\u003eShary Boyle is representing Canada at the 2013 Venice Biennale. Julie Hollenbach visited the exhibition and details the lessons Boyle took from ceramic makers into the international heat.\u003c\/p\u003e\n\u003cp class=\"nopad\"\u003e\u003cstrong\u003eVivian Baumann: Costume as Collaboration\u003c\/strong\u003e\u003cbr\u003eJean Kares meets up with the costume designer who joyfully meets the demands of film, stage and art and discusses the intensity of multi-faceted collaboration.\u003c\/p\u003e\n\u003cp class=\"nopad\"\u003e\u003cstrong\u003eCountry Cups and City Saucers\u003c\/strong\u003e\u003cbr\u003eHeather Read explores the age-old distinction with one maker in the country and one in the city: how do their experiences compare?\u003c\/p\u003e\n\u003cp class=\"nopad\"\u003e\u003cstrong\u003eDesert Island Craft\u003c\/strong\u003e\u003cbr\u003eIf you had to select your Canadian Craft reading list to take to a desert island, what would you pick? Jennifer Salahub presents her essentials. Back to School or Holiday reading: don’t miss it.\u003c\/p\u003e\n\u003cp class=\"nopad\"\u003e\u003cstrong\u003eComment\u003c\/strong\u003e\u003cbr\u003eGloria Hickey questions jargon.\u003c\/p\u003e\n\u003cp class=\"nopad\"\u003e\u003cstrong\u003eSlice\u003c\/strong\u003e\u003cbr\u003eCongratulations and announcements.\u003c\/p\u003e\n\u003cp class=\"nopad\"\u003e\u003cstrong\u003eDid You Know?\u003c\/strong\u003e\u003cbr\u003eMichael Prokopow considers Bill Reid's heritage.\u003c\/p\u003e\n\u003cp class=\"nopad\"\u003e\u003cstrong\u003ePortfolio\u003c\/strong\u003e\u003cbr\u003eSix established makers who still work at the cutting edge.\u003c\/p\u003e\n\u003cp class=\"nopad\"\u003e\u003cstrong\u003eUnder the Radar\u003c\/strong\u003e\u003cbr\u003eSpotting fresh work and talent.\u003c\/p\u003e\n\u003cp class=\"nopad\"\u003e\u003cstrong\u003eReview: Restrained\u003c\/strong\u003e\u003cbr\u003eGrace Butland reviews Louise Pentz's important exhibition.\u003c\/p\u003e\n\u003cp class=\"nopad\"\u003e\u003cstrong\u003eBook Review: The Invention of Craft\u003c\/strong\u003e\u003cbr\u003eLeopold Kowolik reviews Glenn Adamson's 2013 monograph.\u003c\/p\u003e\n\u003cp class=\"nopad\"\u003e\u003cstrong\u003ePostcards\u003c\/strong\u003e\u003cbr\u003eFrom Edmonton, Alberta.\u003c\/p\u003e","brand":"Studio Magazine","offers":[{"title":"Default Title","offer_id":12226268004463,"sku":"ONTCRA-43020","price":5.95,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2351\/6881\/products\/FW2013copy.png?v=1626886188"},{"product_id":"studio-magazine-vol-8-no-1","title":"Digital Edition of Studio Magazine Vol. 8 No. 1","description":"\u003cp\u003e\u003cstrong\u003eThe 2013 Saidye Bronfman Award Winner Greg Payce\u003c\/strong\u003e\u003cbr\u003eMireille Perron offers analysis and congratulations to the 2013 recipient whose celebrated ceramic practice turns material heads.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSinking Ships and Rising Prices\u003c\/strong\u003e\u003cbr\u003eJanna Hiemstra considers Garth Clark’s keynote to SNAG 2012.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeaking Across Difference\u003c\/strong\u003e\u003cbr\u003eWhen a curator from one cultural background engages with work from another, what becomes of this ‘Othering.’ Ellyn Walker wrestles.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Stigma of Craft\u003c\/strong\u003e\u003cbr\u003eKathleen Morris looks at the place of craft in contemporary academic and higher educational settings.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMastering Fine Craft in Canada\u003c\/strong\u003e\u003cbr\u003eA proposed MFA in Craft media at ACAD has many people excited and wondering. Mary-Beth Laviolette shares the buzz.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpirituality in the Making\u003c\/strong\u003e\u003cbr\u003eLes Potter reflects on the presence of spirituality in making.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTradition in Transition\u003c\/strong\u003e\u003cbr\u003eCanada was the guest country at the most recent Carréfour Européen du Patchwork, an annual celebration of quilting in Alsace, France. 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Jordan creates bold, elegant and timeless pieces of small-batch jewellery. Inspired by ancient armour, this collection explores the idea of protective adornment as both feminine and elegant.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003eEach piece of jewellery, from the initial sketch to completion, is formed lovingly by hand. Using both traditional and innovative jewellery-making techniques, Jordan creates unique pieces of \"wearable art\". Enarmoured jewellery is made using raw brass sheet metal, raw brass components, and vintage brass chain. All earrings hang from gold-plated ear wires.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003eJordan's passion for Jewellery making came out later in life. She graduated from OCAD University in Toronto, Canada with a BFA in Painting and Drawing. What she enjoys most about creating jewellery is that each stage offers a new tactile experience\u003c\/span\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e","brand":"Jordan Clarke (Enarmoured)","offers":[{"title":"Default Title","offer_id":12247404740719,"sku":"JORCLA-C0006","price":180.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2351\/6881\/products\/il_570xN.1340350488_e9cl.jpg?v=1620267073"},{"product_id":"tulip-shield-silver-earrings-by-jordan-clarke","title":"Tulip Shield Silver Earrings","description":"\u003cp\u003e\u003cspan\u003eThe Tulip Shield earrings have an edgy, elegant shape that's flattering on everyone. These earrings are hand-cut sterling silver and have a pebbled, hammered texture finish.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSterling silver\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e55 x 41mm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003eEnarmoured, made by Jordan Clarke, is handcrafted, fine art jewellery created in brass and silver. Jordan creates bold, elegant and timeless pieces of small-batch jewellery. Inspired by ancient armour, this collection explores the idea of protective adornment as both feminine and elegant.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003eEach piece of jewellery, from the initial sketch to completion, is formed lovingly by hand. Using both traditional and innovative jewellery-making techniques, Jordan creates unique pieces of \"wearable art\". Enarmoured jewellery is made using raw brass sheet metal, raw brass components, and vintage brass chain. All earrings hang from gold-plated ear wires.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003eJordan's passion for Jewellery making came out later in life. She graduated from OCAD University in Toronto, Canada with a BFA in Painting and Drawing. What she enjoys most about creating jewellery is that each stage offers a new tactile experience\u003c\/span\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e","brand":"Jordan Clarke (Enarmoured)","offers":[{"title":"Default Title","offer_id":31701251457135,"sku":"JORCLA-C0013","price":265.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2351\/6881\/files\/Tulip_Shield_-_Silver_13_edited_1.jpg?v=1753308090"},{"product_id":"brass-tulip-shield-necklace","title":"Tulip Shield Brass Necklace","description":"\u003cp\u003eThis necklace is hand cut and has a small hammered texture for the finish. It hangs from an elegant chain.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e55 x 41 mm, \u003cmeta charset=\"utf-8\"\u003e18\" chain\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRaw brass pendant, raw brass chain.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003eEnarmoured, made by Jordan Clarke, is handcrafted, fine art jewellery created in brass and silver. Jordan creates bold, elegant and timeless pieces of small-batch jewellery. Inspired by ancient armour, this collection explores the idea of protective adornment as both feminine and elegant. \u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003eEach piece of jewellery, from the initial sketch to completion, is formed lovingly by hand. Using both traditional and innovative jewellery-making techniques, Jordan creates unique pieces of \"wearable art\". Enarmoured jewellery is made using raw brass sheet metal, raw brass components, and vintage brass chain. All earrings hang from gold-plated ear wires. \u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003eJordan's passion for Jewellery making came out later in life. She graduated from OCAD University in Toronto, Canada with a BFA in Painting and Drawing. What she enjoys most about creating jewellery is that each stage offers a new tactile experience.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e","brand":"Jordan Clarke (Enarmoured)","offers":[{"title":"Default Title","offer_id":12247439048815,"sku":"JORCLA-C0005","price":155.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2351\/6881\/files\/Tulip_Shield_Necklace_brass2_edited.jpg?v=1753307948"},{"product_id":"ten-twig-ring","title":"Ten Twig Ring","description":"\u003cp\u003eA brilliant piece made by fusing 10 individual twig rings.\u003c\/p\u003e\n\u003cp\u003eSterling Silver\u003c\/p\u003e\n\u003cp\u003eInquire with shop@craftontario.com for more size options!\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“Jewellery has an almost limitless ability to be manipulated and transformed by the creator for storytelling. There are few restrictions on materials, dimensions, and scale except those imposed by the maker. By its very nature it invites interaction with both the wearer and the viewer. The body as display takes a story out of the personal home domain, where much art is privately appreciated, and invites contact with anyone we encounter in our public lives; giving those around the wearer a deeper glimpse of a person’s inner world.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eI make jewellery to satisfy my need to tell stories about my own life, the world around me, and for people who wish to encapsulate something special through the creation of a custom piece designed and made just for them.”\u003c\/em\u003e\u003c\/p\u003e","brand":"Pash Jewellery Design","offers":[{"title":"Size 6","offer_id":41088652378223,"sku":"PASHDE-C0077","price":105.0,"currency_code":"CAD","in_stock":true},{"title":"Size 6.5","offer_id":41098476683375,"sku":"PASHDE-C0077","price":105.0,"currency_code":"CAD","in_stock":false},{"title":"Size 8.5","offer_id":41093461082223,"sku":"PASHDE-C0077","price":105.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2351\/6881\/products\/Gillian-Batcher_PASH_10-twig-ring.jpg?v=1571609703"},{"product_id":"leaf-cuff","title":"Leaf Cuff","description":"\u003cp\u003eThin copper bracelet.\u003c\/p\u003e\r\u003cp\u003eInside: 2.3 inches diameter.\u003c\/p\u003e\r\u003cp\u003eOutside: 3 inches in diameter.\u003c\/p\u003e","brand":"Joe Han Lee","offers":[{"title":"Default Title","offer_id":12417036157039,"sku":"JOELEE-C0137","price":180.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2351\/6881\/products\/1549346_904781189562483_7054655910050747920_n.jpg?v=1571609703"},{"product_id":"purple-flower-birch-basket","title":"Purple Flower Birch Basket","description":"\u003cp\u003eThis large oval basket is handmade using birch bark and gathered spruce root. Once constructed, each basket is decorated with dyed porcupine quills. Every basket is unique and one-of-a-kind.\u003c\/p\u003e\n\u003cp\u003eBirch bark, spruce root, dyed porcupine quills\u003cbr\u003eApprox. 8\" x 8\"\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eKaren Cumberland was born in the small community of Fort Liard, and she began learning traditional crafts at a young age.\u003c\/em\u003e\u003c\/p\u003e","brand":"Karen Cumberland","offers":[{"title":"Default Title","offer_id":12677642551407,"sku":"ARCCAN-C15F19","price":900.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2351\/6881\/files\/20180812_165009.jpg?v=1711835866"},{"product_id":"drum-dancer-by-noah-maniapik-jolly-atogoyuk","title":"Drum Dancer","description":"\u003cp\u003eThis print captures the energy and rhythm of a traditional Inuk performer mid-dance, expressing pride through movement and sound.\u003c\/p\u003e\n\u003cp\u003e1957\u003cbr\u003eEdition 13 of 35\u003cbr\u003e\u003cspan\u003eStencil\/Etching\u003cbr\u003e26.5 x 20.5\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist: Noah Maniapik\u003c\/p\u003e\n\u003cp\u003ePrintmaker: Jolly Atogoyuk\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eNoah Maniapik\u003c\/strong\u003e is a printmaker from Panniqtuuq (Pangnirtung), NU. Beginning his practice in 2001, the artist has gone on to contribute to his community's annual print collection between 2001 and 2006. He creates colourful prints that depict daily life or events in his community, as well as black-and-white monochromatic artworks that present northern wildlife and his experiences living in the North. He routinely illustrates the connections between people, animals and the environment in the North.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eOne of the stalwarts of Uqqurmiut print studio,\u003cstrong\u003e Jolly\u003c\/strong\u003e is dedicated to keeping his culture strong through artwork. Much of the strength of the print tradition thriving in his home community of Pangnirtung can be attributed to Jolly's talent, enthusiasm and generosity.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eJolly’s work in stencil, lino prints and etching is cherished by collectors around the globe. He has also become known for his woodcuts, silkscreens, watercolours, sculptures, jewellery and filmwork.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eJolly regularly tours the south, promoting the release of the Annual Collection of Pangnirtung prints. His work can also be found in galleries across Canada.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eIn addition to interpreting original drawings from the community archives, Jolly creates his own imagery. Animals and spirit creatures are recurring motives in his work. He hopes that through his work people will learn more about Inuit culture, its traditions and the art of printmaking. 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Growing up she lived in various camps, the last one being just southeast of Cape Dorset. It is here that Pauojoungie had an opportunity to see all kinds of birds and animals which she enjoyed so much that she began drawing wildlife. Pauojoungie and her family moved to the Cape Dorset community in the 1970s. At Kinngait Studios she became inspired by the work of other graphic artists, and this is where her work became adapted for the print medium. Pauojoungie’s highly accomplished work is characterized by bold lines and blocks of often heightened colours. Her compositions are distilled to their essence, which showcases an intuitive understanding of the subject matter. Pauojoungie’s work has been part of the annual Cape Dorset Print collection many times.\u003cbr\u003e\u003c\/span\u003e\u003c\/i\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003ePauojoungie is the daughter of Inooki and Qimirpikuluk Oqutaq. She has a sister Napatchie and two brothers Lasaloosie and Niviaqsi.\u003c\/span\u003e\u003c\/i\u003e\n\u003c\/h4\u003e","brand":"Pauojoungie Saggiak","offers":[{"title":"12","offer_id":41109292875887,"sku":"DORFIN-R18D12","price":700.0,"currency_code":"CAD","in_stock":false},{"title":"Order","offer_id":41109292974191,"sku":"DORFIN-D18D12","price":700.0,"currency_code":"CAD","in_stock":true},{"title":"27","offer_id":41974280814703,"sku":"DORFIN-C181227","price":700.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2351\/6881\/products\/Uutuit_WalrusesonTopofIce.jpg?v=1658266846"},{"product_id":"rosa-crossbody-leather-bag","title":"Rosa Crossbody Leather Bag","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003eThe Rosa crossbody bag is a medium-sized leather bag - not too big, yet with enough space to hold all your essentials! An accessible zippered pocket on the back is the perfect size for your phone, and a small pocked on the inside keeps your keys safe and easy to find. A gusset behind the front zipper allows the bag to open wide, and the adjustable strap allows for variable lengths.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e23 x 27 x 13 cm, strap is 138 cm fully extended\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan style=\"font-weight: 400;\"\u003eKaren’s professional journey began with a sewing apprenticeship in Germany. These skills were all around fabric construction. Returning to Canada in the early 80’s, she began making small leather goods.\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e \u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan style=\"font-weight: 400;\"\u003eAs a woman designing and crafting products for other woman, her designs are often soft and elegant. At the same time though, special attention is paid to durability and function. Each step of the design and crafting process is important to her, from the beginning where the appropriate leather for the article is used, to the sourcing of the correct glues, hardware, linings and thread. 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