Resonance

EXPANSIVE CRAFT
Visual artist Jodie De Verney reflects on the roles of making and time in craft practice.

A RECORD OF BECOMING
A glimpse into the fantastical world of Sami Tsang’s ceramics by curator and writer Gladys Lou.

TO LEAD WITH WONDER: THE POWER OF GLASS
Interim editor in chief Lera Kotsyuba explores the 40-year career of groundbreaking glass artist Irene Frolic. 

HARD WORK – EDUCATION FOR VALUES-BASED LIVING
Former editor in chief of Studio Magazine, Leopold Kowolik argues for the power and value of craft education in Canada.

ONE BEAD AT A TIME
Member of Norway House Cree Nation, beadwork artist, and lecturer at the University of Manitoba, Tammy G. Wolfe proclaims the power of the bead, and celebrates makers in her community.

CRAFTING CHINATOWN: MODEL-MAKING FOR COMMUNITY MEMORY AND IMAGINATION
Simon Liao and Linda Zhang discuss the impact of cultural memory and place in the “Let’s Build a Collective Memory of Chinatown” project.

YELLOWKNIFE: THE CRAFT CAPITAL OF CANADA?
Curator and arts administrator Laura Hodgins makes a bold statement, championing craft in the Northwest Territories.

FAMILIAR FACES OF ANCESTORS AND THE STORIES THEY CARRY
Ceramicist and writer Lewis Nicholson illustrates the connection between community and making in the powerful work of Gordon Sparks.

PORTFOLIO 
Ozana Gherman
Amiskwacîwâskahikan, Treaty 6 Territory
(Edmonton, Alberta)